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Ceramics by Regina Heinz at Studiopottery.co.uk

Regina Heinz

Ceramics by Charlotte Storrs at Studiopottery.co.uk

Charlotte Storrs

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Container - homewares and artworks at Waller&Wood Gallery 24th May to 24th June, 2018 New work from Gary Wood and Carole Waller. DRINKS AT Waller&Wood, 6 - 8pm on Thursday, May 24th
Peter Hayes at Thrown 8th - 27th June 2018 New work from Peter Hayes - this master of clay!
Summer Sale Weekend - Phil Rogers and Hajeong Lee at Open Studio Phil Rogers 26th - 27th May 2018 First quality work and selection of older pieces. 
James Oughtibridge - Ebb and Flow at Contemporary Ceramics Centre 14th June to 7th July, 2018

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Regular Pottery Courses by Suleyman Saba - 29th January to 31st December, 2018
Students will learn about preparing clay and different techniques of ceramics from pinch pots and coiled pottery, to slab building and throwing. Students are also guided on aspects of decoration and glazing. 
Lindy Barletta weekday Courses in East Sheen - 1st January to 31st December, 2018
Studio Pottery Making techniques: A terms course covers a project in each - pinching, coiling, slab building and throwing.

Archive for October, 2009

Wali Hawes – Fire Trees

An article by Wali about building and firing a set of fire trees. There is also comment in “Terrart”a Barcelona magazine published by L’Associació de Ceramistes de Catalunya. See front cover above…

This is a copy of the article on Wali’s blog – for more interesting articles visit his blog.

Heloisa Alvima is a potter from Brazil who lives in Monferrier, France. I was very happy to be invited to build and fire a set of Fire Trees which would coincide with the festival of San Jean which is also the same day as the Summer Solstice. The setting was the Culture Centre and I was ably assisted by students from the ceramics school, local potters and enthusiasts. We started off with the usual coiling techniques and found the clay as supplied by SolarGil to be good allowing us to dry out the structure quite rapidly without cracking. Those who participated in the project were also invited to create decorations that reflected the local landscape or at least inspiration was from our surroundings. I did so in order to make people more aware of the environment in which we inhabit not only in the physical sense but also in the social context. It is another aspect of the Fire Trees that go beyond technique and process.
It was great to have the support of the Asociation de Clubs de Loisir (Hope that is how it is spelt!), Daniel who is the president, Gerard who put up with me and his wife Jo—many evenings were spent enjoying their hospitality, Loule, Izabu, Tibo, Caren and a host of others. Their help and kindness also the hospitality knew no bounds. If I have forgotton anybody then I allow myself to be shot for such an omission. Unfortunately we discovered that the clay did not quite meet up to the tremendous stresses during the firing and structural damage was quite severe…despite our attempts to repair the damage I am afraid the trees will have to be re-built and fired again. We got to temperature and the clay fired well…in some cases it actually fused. The firing was quite a spectacle. Looking forward to the next firing.

Also see the U Tube video of the event.

Eddie Curtis – An exciting and unique International Exhibition starting at Rufford

13 Oct 2009

Eddie is having a major exhibition of his work at Rufford next June (starting on the 13th). To make what is already an exciting exhibition even more exceptional, Eddie plans to use the opportunity to celebrate the international bonds and friendship that exist within the ceramic world. He has come up with an original and very special way to demonstrate this friendship. In his own words:

“As a part of my exhibition I want to celebrate the international aspect of ceramics and the camaraderie only shown in the world of ceramics.  I had this idea that if I asked my friends to fire a piece of my work in each of their kilns it would be the ultimate cultural exchange.

After taking a deep breath I asked Shozo Michikawa, Japan; Rizu Takehashi, Japan/France: Pascal Geoffroy, France: Linda de Nil, Belgium; and Uwe Lollman, Germany.

Without hesitation they all agreed and were very enthusiastic.  I am so honoured to have my things in their kilns.  Each of my pieces will essentially be made in the same manner  in my normal, stoneware ‘stretched’ style but only glazed by me (Iron celadon) on the inside.  The Anagamas will do the rest.  I am not aware that this has been done before.  I have given them no instruction other than to make their own decision on how they will be placed in  their kiln.”

This is a great idea and should produce a stunning exhibition.  It is hoped that the exhibition will move to a leading German gallery (Galerie Metzger) near Frankfurt in Autumn 2010.

Curtis Benzle – Master Artist Makes His Mark in Alabama

Curtis Benzle, Huntsville, is featured in the publication; “Masters: Porcelain”, a survey of the premier artists working in porcelain worldwide.  Of the forty international artists included in the survey, only Sunkoo Yuh of Athens, GA, and Mr. Benzle represent the Southeast region of the U.S.

Curator Richard Burkett invited artists from around the glode to contribute to this, the first in a major new series featuring the top artists in varying media from Lark Books.  Burkett’s choices condense these artist’s achievements to a relative handful of remarkable pieces—something of a mini-retrospective in print-yet they masterfully illustrate what is unique and worthy of study with each artist.

Not quite like any other material, porcelain in the right hands is capable of being awesomely delicate as well as expressively forceful.  In the 18th century, porcelain attracted the admiration and greed of alchemists and princes.  Today, for many, that age-old mystique still clings to this unusual and notoriously difficult clay.

Mr. Benzle has maintained his studio in Huntsville, AL since 2002 and recently completed an solo exhibition at the Sherrie Gallerie in Columbus, Ohio.

Jim Malone – New work in London until 25 October 2009

We visited the new show, promoted by John Rastall of Harlequin gallery at the Duncan Cambell Fine Art Gallery in Thackeray Street, just off Kensington High Street.  There was (and is until 25/10) some tempting new work on display and for all who like Jim’s work – try and get there.   Jim was telling me how pleased he is with the kiln he built at Lessonhall and this exhibition certainly demonstrates that! I have attached a number of images taken by Richard Dee, my son who also designed my website.

Stephen Dee