Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Juliet Walters at Studiopottery.co.uk

Juliet Walters

Ceramics by Philip N Wilks at Studiopottery.co.uk

Philip N Wilks

Upcoming events

Innovate, Design, Craft at Biscuit Factory, The 1st June to 31st August, 2018 New work from Joan and Jack Hardie
Ruthanne Tudball - Summer Open Studio at Temple Barn Pottery 26th May to 10th June, 2018 See Ruthanne's work and studio and get the chance to buy her great work
Eddie Curtis at Loveclay 26th May to 15th June, 2018 Solo Showcase at Valentine Clays
Ruthanne Tudball - New work at Creake Abbey 19th - 24th June 2018 as part of Norfolk Contemporary Craft Society

Recently added Courses

Regular Pottery Courses by Suleyman Saba - 29th January to 31st December, 2018
Students will learn about preparing clay and different techniques of ceramics from pinch pots and coiled pottery, to slab building and throwing. Students are also guided on aspects of decoration and glazing. 
Lindy Barletta weekday Courses in East Sheen - 1st January to 31st December, 2018
Studio Pottery Making techniques: A terms course covers a project in each - pinching, coiling, slab building and throwing.

Archive for January, 2010

Curtis Benzle – Best exhibition

Curtis writes: My May, 2009, exhibition at the Sherrie Gallerie in Columbus, Ohio has been selected as one of the Best Exhibitions of 2009 by the Columbus Dispatch.  Other honorees included “Egyptian Treasures from the Brooklyn Museum” at the Columbus Museum of Art,” “Alice Schille” at the Capital University Schumacher Gallery, and “Luc Tuymans” at Ohio State’s Wexner Center for the Arts.  With Columbus, Ohio recently being ranked the #10 best arts destination among U.S. large cities (500,000+) this recognition is all the sweeter.

In an excerpt from his review of the exhibition, Dispatch arts critic, Kaizaad Kotwa, writes; “The porcelain works exude a fragile refinement laced with a modernist exploration of line, form and texture. . . . When light interacts with them, the varying degrees of opacity within the surfaces makes these ceramic marvels seem to glow from within.”