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Archive for the 'Courses and workshops' Category

Virginia Scotchie, the well known US ceramicist visits the UK, Summer 2013

Virginia Scotchie, ceramic artist and Area Head of Ceramics at the University of South Carolina in Columbia, has received numerous awards for her ceramics, exhibits worldwide and has work in many private and public collections.  This summer she will be making a visit to the UK as part of a joint collaboration with West Dean College, near Chichester. First off she’ll be at the International Ceramics Festival (28 – 30 June) in Wales, then onto West Dean where she’ll be teaching a new four day course, ‘Parts and pieces – throwing sculptural forms on the wheel’, 1 – 4 July.

Virginia_Scotchie1300

Virginia says, “As an artist and educator I find it to be a great honour to visit other parts of the world and experience the culture, the landscape and to get to know the people.  I am looking forward to visiting Wales where I’ll be demonstrating wheel thrown, altered and assembled sculptural objects and speaking about my creative research in ceramic art and about my programme at the University of South Carolina.”

Yellow Knob&Red Funnel b

DSC03339 2 DSC03346 2

Speaking of her collaboration with West Dean Viriginia comments, “I first met Alison Baxter, Head of Creative Enterprise at West Dean when she was a guest speaker at USC last Autumn for a metalsmithing conference.  She gave a wonderful presentation on West Dean and on her exquisite work in jewellery.  I’m excited to be teaching at West Dean for the first time as the College has such a strong history in the arts and,  although I’ve never visited before, I believe this will be the beginning of many future visits and connections between our two colleges.”

Residency in India – Aditi Saraogi

Aditi says
I went for a residency to the Ceramic centre that Gallery Sanskriti has in Maihar in Madhya Pradesh in India and it was simply fantastic. The centre is beautiful with a studio that has all the facilities. This centre has also provisions for painters, stone scultptors and artists working with metals.You can find more details by logging on to their website- www.gallerysanskriti.com and then on the ‘residency’ page.
 
It is definitely worth a visit – actually not just a visit but an experience to work. Moreover, it is very close to the famous ancient Khajuraho temples and the area is known for a very old classical Music house- the ‘Maihar Gharana’.
indiaresidency

2012 Toshiba Lectures in Japanese Art

2012 Toshiba Lectures in Japanese Art

This year Professor Nicole Coolidge Rousmaniere will give a series of three lectures on the subject of Japanese Porcelain: A Four Hundred Year History.

Please note that booking is essential for the British Museum lecture on 1 November. To book your seat, please contact the British Museum via www.britishmuseum.orgor 020 7323 8181, or contact the Sainsbury Institute at 01603 597507

Hare and Moon. Dish. (1690-1730) Porcelain with underglazed cobalt blue design, D. 14.48cm.

© The Trustees of the British Museum. Franks. 1292+

1 November / 6.15pm

Vessels of Influence, China and the Birth of Porcelain in Early Modern Japan

BP Lecture Theatre, The British Museum*

Booking is essential. Please contact the British Museum via www.britishmuseum.com or 020 7323 8181, or the Sainsbury Institute to book your seat

8 November / 6.15pm

White Gold, Japanese Export Porcelain and International Trade Networks

Brunei Gallery Lecture Theatre, SOAS, University of London

15 November / 6pm

Japanese Porcelain Today, Future Directions and Past References
Norwich Cathedral Hostry, Norwich NR1 4EH

Admission Free | All welcome

The lectures are sponsored by the Toshiba International Foundation.

For more information:

sisjac@sainsbury-institute.org
Tel: 01603 597507
Fax: 01603 625011
www.sainsbury-institute.org

About the Lectures

With the four-hundredth anniversary rapidly approaching, now is a particularly opportune occasion to re-examine the history of Japanese porcelain from a modern angle. This four hundred year retrospective of the evolution of Japanese porcelain affords multiple new interpretations. Many questions have long remained unanswered. For example, why did Japan only begin to produce porcelain for the first time around 1610, centuries after both China and Korea had mastered the technique? How, given its late start, was Japanese porcelain able to be exported throughout Asia, the Middle East and Europe by the 1660s to such high acclaim?

Competition between kilns for market share both within Japan and abroad was rife. Notwithstanding intrigues, government and trade restrictions as well as changing consumer tastes, Japanese porcelain has continued to flourish these 400 years adapting to market demand and to the latest styles. Today, porcelain production in Japan continues unabated both in traditional centres and by ceramic artists creating powerful modern expressions in new areas.

Professor Rousmaniere in this series of three lectures uncovers the history of Japanese porcelain from its complicated birth through its strong export period to its powerful contemporary presence. Recent archaeological and art historical data are introduced to create a revitalised picture of the industry as a whole. New light will also be shed on the significant Japanese ceramics in the British Museum created by pioneering collector Augustus Wollaston Franks, first curator and then Keeper at the British Museum from 1851-1896.

About the Speaker

Nicole Coolidge Rousmaniere is Professor of Japanese Art and Culture at the University of East Anglia and Research Director at the Sainsbury Institute for the Study of Japanese Arts and Cultures. She is currently seconded to the British Museum as a curator in the Department of Asia working on its extensive ceramic collection. Her research interests include medieval to contemporary ceramic history in East Asian trade networks, the history of Japanese archaeology, the collecting Japanese artefacts and art objects in Asia and in Europe, contemporary Japanese craft expression and manga.

—–
KAZUKO MOROHASHI  |  諸橋和子 
Research and Planning Officer | 企画・研究員
Part time (Monday, Thursday, Friday, and half day Wednesday)
 

SAINSBURY INSTITUTE FOR THE STUDY OF JAPANESE ARTS AND CULTURES
64 The Close | Norwich | NR1 4DH |UK
Tel: +44 (0)1603 597513 (direct); 01603 597507 (reception) 
Fax: +44 (0)1603 625011 | www.sainsbury-institute.org

Contemporary & Traditional Ceramics in Eastern China 6th – 30th October 2013 Tour with Christine-Ann Richards

Art & Adventure are two of the strands that Christine-Ann Richards has successfully used over the years in planning her travels in China and central Asia. Her first visit with other members of the Craft Potters Association in 1978 has led to an on-going affair with the culture, the country and the peoples of China. This interest in the art, archaeology and philosophy that make up the history of the area have led to many a detour ‘off the beaten track’, which in her travels she seeks to share with others.

Christine-Ann Richards 10th Anniversary Tour with Li Wenying, Programme Director Sanbao Ceramic Art Institute.

Travelling overland from Shanghai to Yixing (teapots) and Tao Yao where they still make large coil pots fired in a dragon kiln.  Huangshan, the Yellow Mountain made famous in classical Chinese paintings. Hangzhou on West Lake and Longquan both known for their ceramics including celadon wares.  Jingdezhen, the porcelain capital of China, in time for the opening of its International Ceramics Festival.   Included in the price of the tour is the gift of a ‘free’ week from Wenying in celebration of our decade of travelling together.   There will be ten days of workshops at Sanbao with, at the end of the tour, the possibility of returning home with some of our own work.   Option to stay on at end of tour on a 1 – 3 week residency at Sanbao.   Landprice approx. £2,000

mail@christineannrichards.co.uk

www.christineannrichards.co.uk

5 Day jug-making: Jeremy Steward, Nigel Lambert TWO PLACES LEFT! (15/7/12))

Following two successful years in 2009 & 2010, this course will now run every other year, alternating with the jar-making course. The course is aimed at more experienced makers to develop their jug-making. Students will be encouraged to experiment with different scale and style of vessel. Guest demonstrator: Nigel Lambert.

 

Ceramics by Jeremy Steward at Studiopottery.co.uk

Course Details

 

A strong emphasis will also be placed upon handling and composite throwing. On the fourth and fifth days of the course, students may wish to experiment with raw-glazing and various methods of slip-decoration.
We are delighted to welcome Nigel Lambert back to Wobage for a day of demonstration and tutorial during the 2012 Jug-making course. Nigel’s slip-decorated wood-fired earthenware has earned him international recognition. His thrown and altered beaked jugs possess a majestic poise. Set with his inimitable style of decoration and strong sense of function they are a joy to behold. We most look forward to Nigel joining the Wobage crew this Summer.
A small selection of the very best pieces which have been slipped and glazed within the duration of the course can later be gas salt-fired. Any unfinished pieces can be taken home or will be biscuit-fired at Wobage for you to collect at a later date. A charge will be made in addition to the course fee for fired pots: £1.00/lb for biscuit and £2.80/lb for gas salt-glaze.
The studio invites a maximum of 8 students for this course. Each participant will enjoy unlimited access to a power wheel for the full duration. These are a selection of different models; Rayefco, Alsager and Shimpo.
The course begins at 10am on the first morning, completing at 4pm on the last day. Tuition hours are otherwise 9am – 5pm. Home-made vegetarian lunches along with morning and afternoon refreshments are included in the price of this course. Also included, an evening of party with student baked wood-fired pizzas from the Wobage outdoor oven!
Cost: £455.00 (deposit £200)

 

Courses – Residential Courses, New category

I get various good ideas from the “30 Second Survey” which is shown at the top of the home page. Over time i try and incorporate the best of these in the website, subject to cost and resource, as ever. Recently I was asked to add a category to courses for “Residential Courses”.

This has been done and while there are not many courses shown at present, there are a few – UK and elsewhere, that may be of interest.  We always welcome more course listings, but unless submitted by a Selected Member, there is a small charge. Current  Residential Courses shown are:

Raku Pottery & Sculptural Ceramics Holiday Courses :: September 17, 2012 to September 21, 2012
These courses will appeal to potters and would-be potters who would like a chance to combine intensive studio work in a delightful setting with the opportunity to explore a particularly interesting area of southern France.
August Five Day Throwing Course :: July 30, 2012 to August 03, 2012
A five day course to students serious about improving their throwing and making skills.
Five day hands-on school with John Calver :: August 13, 2012 to August 17, 2012
A 5 day residential course run by John Calver.  He will be giving group and one to one tuition
Seth Cardew – learn from a Master! :: July 15, 2012 to July 21, 2012
Courses in Wheel Thrown Pottery is also titled “The Language of Shapes”
Seth Cardew – learn from a Master! :: October 14, 2012 to October 20, 2012

Courses in Wheel Thrown Pottery is also titled “The Language of Shapes” with an option of a second week.
Creative Pottery Holidays/Breaks with Sue Ramsay-Smith :: June 19, 2012 to September 30, 2012
Explore a variety of making and decorating techniques to create unique pottery or sculptural pieces fired in an electric kiln.

Ceramics and Sculpture: Different Disciplines and Shared Concerns. 5 July 2012

Registration is now open for the conference Ceramics and Sculpture: Different Disciplines and Shared Concerns taking place on 5 July 2012 in Cardiff at Amgueddfa Cymru – National Museum Wales. More info contact: adutton@cardiffmet.ac.uk Book from website shown below.

About the Conference:
Relationships between ceramics and sculpture are a focus for research at Cardiff School of Art and Design. This research has demonstrated that the interests of ceramicists and sculptors in Britain have either overlapped or come into particularly sharp focus at certain periods.
The Henry Moore Institute, Leeds, has in the last few years awarded research fellowships to explore such relationships. Both ceramics and sculpture now have to make a case for their survival as discrete disciplines within higher education and increasingly categories are blurred.
Against this background the conference seeks to illuminate shared concerns by examining points of formal, conceptual, theoretical and material convergences between the two disciplines, while also addressing key points of difference.
Speakers:
Paper 1:  Michael Hose (Cardiff Metropolitan University) ‘What difference can a description make?’
Paper 2:  Conor Wilson
‘You can use clay, but you can’t do ceramics’: Some thoughts about why Ceramics isn’t Sculpture, based on the thinking of Eduardo Chillida and Robert Morris’
Paper 3:  Dr Isabel Hufschmidt (Mirko Mayer Gallery, Cologne, Germany) ‘The Edition of Sculpture in England:  A French spirit of commerce, English manufactories and the New Sculpture’
Paper 4:  Michael Tooby (independent researcher and curator) ‘The way in which a major museum’s collecting activity can transgress traditional taxonomies in a creative and rich manner’
Paper 5:  Alun Graves (Curator, Ceramics & Glass Collection, V&A) ‘Hans Coper: Sculpture in Architecture’
Paper 6:  Professor Stephen Dixon (Manchester Metropolitan University) ‘Why Clay?’
Keynote speaker:  Dr Jon Wood (Henry Moore Institute, Leeds) ‘Manual Thinking’
Panel - Q & A and discussion with Bonnie Kemske (editor of Ceramic Review), David Jones (University of Wolverhampton)

Taking Photos of Ceramics

Mariano Pastor of ViaU photography recently sent me this link to their blog showing a tutorial on taking photos of pots. Some useful tips? Have a look.

http://viauphotography.blogspot.com/2011/04/taking-pictures-of-your-ceramic-pottery.html

Thank you Mariano.

Peter Lane – Lecture, Sources of Inspiration. 7 April 2011

Wood-Fire Conference: For the first time in Europe: 2 -5 September 2010

In 1999 Owen Rye stated for the US and Japan: “…that woodfire has become mainstream… There is in contrast a lack of interest in Europe and one can ponder why this is so.”
The organisers of the Wood-Fire Conference do not wonder, but want to change it. From the 2nd to the 5th of September 2010 the conference will take at Bröllin in north-east Germany. 3 days of woodfire-mania with fire, smoke, exhibitions, competitions, demonstrations and, not to forget, presentations.
An international event not only for wood-firers, but also for collectors, gallery owners, students and teachers. The conference is designated to 4 themes:  international overview, woodfiring and education, woodfiring and environmet, woodfiring aesthetics. The Log Book Award as well as special students rates in connection with the possibility to camp directly at the conference should attract also young people. The pre-conference workshops will be held by Lowell Baker (USA, sawdust injection burner), Paul Davis (AUS, Bourry-Box firing), Karin Flurer-Brünger (D, paper-kiln), Stefan Jakob (CH, Raku kiln building) and Owen Rye (AUS, kiln building of the “Little Ripper Kiln”). The fee of 250,- EUR (210,- until the 31st July) includes full meals during the conference (but not the workshops).
For detailed informations and registration please have a look at www.woodfire.net .  If you did before and do not notice any change please delete the cache or history of your browser – the site is always under construction, like the conference itself.