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Archive for the 'Members News' Category

Review: Art Fair Tokyo 2013 by Tony Laverick

I recently exhibited at the Art Fair Tokyo at the invitation of Gallery St Ives, Tokyo.

The Art Fair takes place at the impressive Tokyo International Forum building in the centre of Tokyo and features over 140 galleries showing art from all genres and periods making it Japan’s most prestigious art event.

Ceramics has a higher status in Japanese culture and the amount and diversity of ceramic art represented at the Art Fair Tokyo bears testimony to this.

TonyLaverickTokyo2013 TonyLaverickTokyo2013b

I was obviously honoured to be invited to take part and also to be working with Gallery St Ives which is a highly regarded gallery specialising in British Studio Ceramics in Tokyo.

Koichiro Isaka, Gallery Director, said “When I saw Tony Laverick’s work for the first time a couple of years ago, I was confident that Japanese people would like his pieces. His works were very well received at the Art Fair. I am very pleased and enjoyed working with him”.

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I will be taking part in another event in Japan later in 2013. The Hankyu Department Store in Osaka is having an event to introduce British ceramics from 9-15th October. The event will include an exhibition of work by Bernard Leach alongside a selling exhibition of work by myself and 4 other potters from the UK.

TonyLaverickTokyo2013a TonyLaverickTokyo2013c Tony_Laverick1305t

I  also  exhibited at Ceramic Art London and will be shown at Collect this weekend (10-13 May)with Contemporary Ceramics.

www.artfairtokyo.com

www.gallery-st-ives.co.jp

www.tonylaverick.co.uk

London potter, Linda Bloomfield, makes handmade tableware for new café at the Royal Albert Hall

29 Apr 2013

London catering company “rhubarb” has commissioned potter Linda Bloomfield to design and make tableware for their new café in the Royal Albert Hall, opening in May 2013.  The pieces will be a mixture of hand thrown and manufactured plates, bowls, cappuccino cups and saucers, teapots, mugs, milk jugs and sugar bowls. Linda Bloomfield will be throwing over 300 pieces in her studio in west London and also designing some new pieces for manufacture in the UK.

Studio potter Linda Bloomfield has designed a range of tableware to look and feel like her hand-thrown pieces. They have colour on the inside and a tactile satin matt glaze on the outside. The colours are inspired by midcentury modern design: turquoise, green and grey. The range includes mugs, bowls, plates, jugs and teapots. The mugs have hand-knitted cosies by knitwear designer Ruth Cross.

Since January 2011, “rhubarb” at the Royal Albert Hall have been providing all the food and drink at one of the UK’s most prestigious venues. They are planning to open the new café in May 2013.

www.lindabloomfield.co.uk

thumb_LindaBloomfield029 thumb_LindaBloomfield40 Linda_Bloomfield_02h

examples of Linda’s previous work

Karin Hessenberg: Society of Portrait Sculptors Annual exhibition 13-18 May 2013

Karin’s sculpture with the title “Blimey! You can be seen from space in that hat!” has been accepted by the Society of Portrait Sculptors for their annual exhibition at The Gallery, Cork Street, London.  13 – 18 May 2013.
It is a life size bust of her partner whose bright yellow running hat attracts comments from passers-by.

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It is high-fired stoneware with multiple matt glazes.  (H41 X W40 X D28 cms)

Charlotte Storrs – New display in Fortnum and Mason in London!

Mail Attachment

Display at Fortnum’s kitchen and china area 9.04.2013

Ashraf Hanna – Creative Wales – Award Winner 2013.

Ashraf Hanna

 

Ashraf Hanna 2Ashraf was born in Egypt and attended El Minia College of Fine Art, then Central Saint Martin’s College of Art and Design, gaining a BA(Hons) degree in Theatre Design in 1994.

Ashraf was introduced to Clay in 1997 by his future wife Sue. In 1999 he gained professional membership of the Craft Potters’ Association and an Elected Fellowship 3 years later.

In 2000 they moved to Pembrokeshire, establishing both home and studio there.

He also gained a Master’s Degree from the Royal College of Art, London in 2011.

Having exhibited widely across Europe Ashraf has won significant awards, and has works included in several public collections including at the National Museum of Wales.

Ashraf Hanna - An exploration in the language of form and material 2Following completion of a Masters Degree in Ceramics & Glass at the Royal College of Art in 2011, Ashraf embarked on an intensive period of making and exhibiting new work both in the UK and abroad.

It was vital to launch and establish that work as rapidly as possible, but he now feels that he must take stock, distance himself temporarily from a fixed cycle of production, and seriously appraise not only what has been achieved, but contemplate the longer term development of his professional studio practice.

Ashraf will use the award to fund his project “An Exploration in the Language of Form and Material.”

The project will be realized in phases over 12 months and address three main themes; individual hand-built ceramic items, kiln-cast glass, and a new range of slip-cast functional ceramics. Reflection, observation, information processing, and appropriate hands-on training will precede each phase, providing a solid basis for informed research.

The ultimate aim is an innovative body of work illustrating excellence in both design and technical expertise as prelude to sustained practice expansion.

Ashraf will be mentored by Professor Magdalene Odundo, who will analyse and critique development of each strand of the project.

Barry Guppy (1937 – 2013)

Although I didn’t know Barry particularly well – we first met as a result of Studiopottery.co.uk about 10 years ago, I found him a delightful and thought provoking individual with a great sense of fun and some remarkable stories from his past. I am greatly saddened by his death and my thoughts are with his family and friends.

Ceramics by Barry Guppy (1937-2013) at Studiopottery.co.uk - 2012. Triple-centred spun slip bowl, height; 25cms. diameter 37cms. Post and packing extra.Ceramics by Barry Guppy (1937-2013) at Studiopottery.co.uk - 2010.Ceramics by Barry Guppy (1937-2013) at Studiopottery.co.uk - 2010.Ceramics by Barry Guppy (1937-2013) at Studiopottery.co.uk - 2012. Gold luster-ed triple centred bowl, spun semi-porcelain, height; 22cms. diameter 24 cms. Post and packing extra.Ceramics by Barry Guppy (1937-2013) at Studiopottery.co.uk - 2010. Manice - Viburnium Leaves.

I have taken the following words from his website:

“Barry Guppy was born in St Helier, Jersey, Channel Islands. He studied at Camberwell School of Art, working with Dame Lucie Rie and particularly Hans Coper who encouraged him to explore radical new ceramic techniques.

His earliest work was highly dynamic, wire cutting undulating surfaces and then hurling the individual pieces from a height onto wet sand moulds forming large wall reliefs. The geometric acoustic tiles produced in the 1960s are an early demonstration of his fascination with pattern, the ambiguity between form and decoration and how movement arises from changes in perspective or light.

In the early 1970′s Guppy was making a stand against the nostalgic rustic view of the potter. At a time when the Royal College of Art was beginning to talk about ceramists interacting with industry, Guppy was already working with architects and large modernist retailers.

As the pottery grew into a lively studio and a meeting point for artists from various disciplines, Guppy moved away from large scale production and began inventing a series of his own glaze and slip techniques. The inspiration for these experiments lay in his early experiences working with antiques when he had admired the work of oriental artists and their understanding of a line and its relationship with empty space From this he developed a technique of on-glaze spinning first on tiles then extended to wheel-thrown forms.

Later and quite radically he started to spin the artificially liquid but structural clay itself; calling this new process slip drawing & spinning or ‘glipping’. He spun thin threads of this special fibreslip into moulds making bowls, dishes and organic shapes whose structure became their decoration – frozen in movement. Highly recognisable, Guppy’s individual style is apparent in all his work and is ever changing. Like an alchemist he plays with form, texture and colour, the movement of his creative spirit has provided many surprises and much enjoyment for those lucky enough to have pieces of his work.”

Internationally known his work is in some major public and private collections around the world.

He will be much missed by all who knew him.

Below Andy McInnes has let me use his photos from the 2010 Hatfield Art in Clay show, when Barry was the recipient of the Studiopottery Award for excellence -

Barry-Guppy-IMG_1359

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Adopt a Potter award to Ana Simmons

Jeremy Steward at Wobage writes:

I am delighted to announce that from the beginning of December, UWIC ceramics graduate Ana Simmons, will join me for a 12 months apprenticeship under the ‘Adopt a Potter’ Scheme. Ana and I first worked together during the summer of 2011, during the Wobage courses season. She has since graduated with a 1st class (BAHons) degree, making a range of elegant reduction-fired porcelain. We are both indebted to the ‘Adopt A Potter’ Trust and all the hard work they do to support the funding of these apprenticeships. For more information about this, or to make a donation to the charity, please take a visit to their website. Next year we shall be donating mugs to the Trust for them to sell at events around the country, which will support future apprenticeships.

Congratulations Ana and wonderful that ‘Adopt a Potter’ is so well supported – A lot of hard work from Lisa Hammond and her team! – Stephen Dee, Editor

Work For sale by members of Studiopottery.co.uk

There is now a wealth of work offered for sale on the website by selected members. Some of the latest pieces to be made available are:

Work by John Calver

Squared Plate with handles 27cms diameter.<br />
This form was thrown, squared, and finished with strap handles.<br />
Post and packing extra. Squared Plate with handles 27cms diameter.<br />
This form was thrown, squared, and finished with strap handles.<br />
Post and packing extra. Pedestal Plate 26cms diameter by 8cms tall.<br />
The rim was cut and shaped while the clay was soft.  The centre chattered through a cobalt slip  and finished with a copper containing glaze which reacts with the slip to give a rich aubergine tone.<br />
Post and packing extra. Jug 29cms tall.<br />
This jug has been decorated with a floral motif of trailed chrome and sponged cobalt slips.  The copper containing glaze gives delicate pale greens and, where it gathers, deep aubergine.<br />
Post and packing extra.

Work by Ailsa Nicholson:

Ammonite Vase.  Wheel thrown and carved freehand, 1220 deg.c  Height 26cm.<br />
Post and Packing extra. Dichroic Vase, H 28cm<br />
Wheel thrown with clear crackle glaze and colbalt inlay and fused dichroic glass. Post and Packing extra.

By Lesley Martin:

French Bulldog. Stoneware.<br />
Height: 7inches Post and packing extra.Cat sitting on a plinth. Stoneware. Height: 10inches, Post and packing extra.

By Rachel Grimshaw:

BOX POT - 9cm high, Solid built, heavily grogged stoneware. Copper oxide painted onto surface and into small square void.<br />
1.4kg in weight<br />
Post and Packing Extra BOX POT - 9cm high, Solid built, heavily grogged stoneware. Copper oxide painted onto surface and into small square void.<br />
1.4kg in weight<br />
Post and Packing Extra

In total nearly 40 selected members have chosen to offer work for sale through the studiopottery.co.uk and you can browse at your leisure by looking at: http://www.studiopottery.co.uk/for_sale_potter_marketplace.php

Gyeonggi International Ceramix Biennale 2013 International Competition calls for artists: special Exhibition, HOT Rookies

Exhibition Dates: 28 September(Sat) – 17 November 2013 (Sun)

The Gyeonggi International Ceramic Biennale (GICB) is pleased to announce that it is receiving entries for the 2013 Special Exhibition, . The event is open for young and talented artists with the hope of providing them with the opportunity to develop their creativity. The GICB is taking a new initiative seeking to discover new talents for the future through this international competition. The GICB 2013 is now waiting for your participation. Take the challenge, the opportunity has come for you! Apply now!

Special Competition 2013 - General Information Age of Eligibility : Open to international and domestic applicants under 40
Selected Number of Participants : 20
Deadline : 3 December(Mon) ~ 19 December(Wed), 2012
Method of Application : Strictly limited to online application

Submission of Information
(All information must be submitted online. We do not accept information sent by post-mail)
1. Applicant’s Resume/CV
2. Description on Artwork
3. 10 images for the submission of 10 artworks is requested (1100 pixel and higher in resolution, JPG file format)
Images should include at least 5 or more pieces possible for exhibition
Detailed images of artworks are permitted only as additional information and not as a part of the 10 images for the required artworks.
4. Brief display plan for exhibiting applicant’s artworks must be submitted.

Final Selection
Screening Date : 20 December 2012 (Mon) ~ 5 January 2013(Sat)
Announcement : 7 January 2013 (Mon) from 12:00 Hours (noon, local time) Final announcement will be presented on our webpage and the selected participants will be notified through e-mail
Method of screening : Stage 1 (Assessing conditions for qualification) > Stage 2 (Examining artworks) > Stage 3 (Overview of all submitted information)

Contact Information:
GICB 2013 Seoul Office
MH 1113, 72-1, Sangsu-dong, Mapo-gu, Seoul 121-791 Republic of Korea
Tel: (+82) 02 3143 6903 Fax: (+82) 02 3143 6904
Webpage: www.kocef.org
Email: gicb2013@gmail.com

Website for application form: http://www.kocef.org/eng/03_biennale/2012/01_04.asp

 

Story of OneOak comes to life at Royal Botanic Garden Edinburgh

The creative results of an innovative project following the full life story of a single oak tree is set to inspire visitors to the Royal Botanic Garden Edinburgh (RBGE), from October 12 to December 2. Created by the Sylva Foundation, in partnership with artists and craftsmen from throughout Britain, the OneOak exhibition features some 50 items, ranging from a throne chair to tables, benches and wood block prints. All have been created with timbers from a 222-year-old oak tree felled on Blenheim Estate, near Oxford.

From the outset, the incentive of the Sylva Foundation has been to bring people closer to the importance of woodlands and of wood in modern society. With this in mind, the felling, in January 2010, was witnessed by 250 school children and 200 other guests. A year later they were invited back to each plant a young oak, so fulfilling a cycle of sustainable forest management.
The tree was grown initially for its timber, being planted in 1788; the year The Times was first published, when Mozart was working on his last symphony and when the French Revolution was just beginning to stir. It became the most studied oak tree in Britain: it has been weighed, measured with lasers to create a 3D model, studied by a dendrochronologist, and had its carbon content estimated. It has also been featured by dozens of artists, sculptors and photographers. Now, it is being brought to Edinburgh thanks to funding from the Scottish Forestry Trust.

Chief Executive of the Sylva Foundation and project co-ordinator Dr Gabriel Hemery said: “This has been an amazing project that has inspired both the public and those who make a living working with wood and caring for our woodlands. Everyone has given their time to the project in so many different ways because they have been inspired by the concept: the realisation that trees and wood are still vital to life even in modern society.”
Dr Hemery continued: “After three years of hard work it has been immensely exciting to be able to bring together all the various elements of the OneOak project. We are able to show the public the stunning artwork, spell-binding films, earth-shattering science and a myriad of truly amazing wood-based products. The only products that we haven’t been able include in real life in the exhibition at RBGE will be a house and a boat!”

Reflecting on the harmony between the origins of OneOak project and the work of RBGE, Exhibitions Officer Elinor Gallant, commented: “This is quite a remarkable exhibition detailing the lifecycle of an iconic tree. It is a story which links well with our experiences as a botanic
garden and with our policy of communicating about the environment at every level. Having hosted two particularly well received drop-in sessions bringing insight to the project, back in January 2011, it makes absolute sense for RBGE to present the full exhibition. I am certain visitors of all ages will be delighted by both the beauty of the wood and the story behind why and how these remarkable pieces have come to be on display.”

OneOak items created for the project include: firewood, woodchip (to heat a house for 6 weeks), sawdust for smoking food by Raymond Blanc, charcoal, bracing beams for a house, transom beam in a boat rowed in the Queen’s Diamond Jubilee Flotilla, door and frame, chest, pedestal table, coffee table, throne chair, clock cabinet, lantern, moebius sculpture, jewellery, wooden clock, acorn oakbot sculpture from waste slabwood, memorial sculpture, carved bowls, carved spoons, turned bowls, sawdust for ceramics glazing, carvings, automata, commemorative garden bench by disabled workers, five benches for primary schools including the spiderbench, contemplation bench, MakeIT! bench national school design competition, nesting tables, fine furniture competition winner’s pieces, small craft items, deer, viola chin rest, printing blocks, relief carving, sounding bowl, wood ash and smoke-glazed ceramics, and a wooden clock.

 

 

Above a piece created by Deana Lee using elements of the Oak – called Metamorphosis III, rather appropriately!

Details of the OneOak products along with the stories of their making can be found at: www.oneoak.info/wood_products.php. The project website is www.OneOak.info