Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Mary Kershaw at Studiopottery.co.uk

Mary Kershaw

Ceramics by Tiffany Scull at Studiopottery.co.uk

Tiffany Scull

Upcoming events

Crafting a Passion for Design: The Ken Stradling Collection at Gordon Russell Design Museum 20th September to 7th November, 2014 Ken Stradling, former Director of the Bristol Guild of Applied Arts and Gordon Russell - the Gordon Russell Design Museum will bring together these two champions of design
Solo Exhibition - Georgie Beadman ceramics at 23 Kensington Place 3rd - 4th October 2014 New work from Georgie Beadman
POTober 2014 at Central Institute of Technology, The 3rd - 5th October 2014 A Smorgasbord of workshops in perth, Western Australia
Partners in perfection - Peter Beard and Christiane Wilhelm at Galerie du Don 12th October to 27th November, 2014 Ceramics from Peter Beard and Christiane Wilhelm

Recently added Courses

Advanced Raku Workshop with John Evans - 5th - 8th June 2015
The ĎAdvanced' workshop for those familiar with burnishing and the use of Terra Sig incorporates a wide range of  fuming and smoking techniques (including a pit-fire)  and will be over the Spring Bank Holiday weekend. Book early Fills up very quickly! 
Ceramic Workshop with Claire Ireland - 8th October to 12th November, 2014
6 week course starting Wednesday 8th October 201410.00 - 1.00 £180 for 6 weeks   + £5 firing charge
Exploring porcelain - throwing and hand-building:Jack Doherty - 20th - 23rd November 2014
Develop dynamic porcelain forms or containers by learning how to understand and exploit the intrinsic plastic quality of porcelain. 
John Evans - Original Alternative Raku Workshop - Sussex - 22nd - 25th May 2015
The 'Original' workshop course will include the use of burnishing and terra sigillata to provide the smooth and polished surface ideal for these 'naked clay' techniques. There will be tips on how to make work for successful firing, how to achieve those solid blacks and whites and the use of colour in naked raku.

Out of the Earth – Chris Carter & Martin Green: until 14 January 2012

Renowned potter Chris Carter and archaeologist Martin Green share their fascination with the prehistoric past of Cranborne Chase.  Through art and artefact, they reveal a story of the humans that occupied the landscape before history was written.

Out of the Earth explores a dialogue between artist and archaeologist as they respond to the objects excavated from flint-rich soils of Cranborne Chase.  Artefacts from Martin’s own museum, which displays the finds he has discovered over the years, will be on display alongside Chris’s artwork and objects from Salisbury Museum and Wiltshire Heritage Museum.  Together, the objects describe and uncover the imprints left by farming, community and ritual activities in the past.

Chris and Martin describe themselves as ‚Äėsons of the soil‚Äô, both having been raised on farms in the countrysides of Warwickshire and Dorset.¬† They met following a BBC4 radio show ‚ÄėOpen Country‚Äô which featured Down Farm on Cranborne Chase.¬† Martin had been excavating there since he inherited it in 1979 and Chris‚Äôs interest in the Chase landscape soon developed into a passion for exploring it through his art.

The exhibition shows new developments in Chris’s work and is itself a testimony to the continuing influence of prehistoric people on us today as their artistry, communities and ritual activities are re-discovered through archaeology.  Chris describes the way he searches for his pots in the clay as akin to the archaeologist’s search for an object in the earth.  Cranborne Chase has encouraged his art to take new routes which have seen him sculpting from flint and creating 2D collage works.  A deep-seated influence of the landscape and farming is apparent in his work; his pots suggest the sinuous twist of the plough and the symmetry of the stone axe, whilst the surface textures reflect the processes of people and nature on the landscape.

Both pot and artefact have a power and contemplative quality that makes Out of the Earth an exhibition not to be missed.  Here, the passion for the Cranborne landscape and for the people who lived on and moulded it, is deep-seated, inherent and heartfelt.  The stories revealed are told by two people who know the landscape intimately, both inside and out, and can tell those stories with an authority and understanding that cannot be disputed.

At: salisbury Museum, The King’s House, 65, The Close, Salisbury, SP1 2EN

   


Posted on December 7 2011 under Event Reviews.