Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Rob Bibby at Studiopottery.co.uk

Rob Bibby

Ceramics by Ailsa Nicholson at Studiopottery.co.uk

Ailsa Nicholson

Upcoming events

Made Brighton with ceramic art at St Bartholomew’s 10th December 2016 One day contemporary craft and design fair
Terra 30! Duo Expo: David Roberts & Susanne Silvertant at Terra Delft 10th - 7th December 2016

Recently added Courses

Evening Classes at Wobage - Jeremy Steward and Patia Davis - 5th September to 15th December, 2016
Jeremy Steward and Patia Davis- These 10/11 week courses, predominantly in thrown ceramics are suitable for beginners, intermediate and advanced makers.
Ceramic Courses at Welbeck run by Rachel Wood - 20th September to 29th November, 2016
All the ceramic courses are suitable for the beginner and more experienced student. (when fully booked consider next block of courses)
Beginners’ Hand Building Workshops - Pat Short - 19th November to 25th November, 2017
Beginners courses run throughout the year 
John Evans - Original Alternative Raku Workshop - Sussex - 26th - 29th May 2017
The 'Original' workshop course will include the use of burnishing and terra sigillata to provide the smooth and polished surface ideal for these 'naked clay' techniques. There will be tips on how to make work for successful firing, how to achieve those solid blacks and whites and the use of colour in naked raku.

Ceramics and Sculpture: Different Disciplines and Shared Concerns. 5 July 2012

Registration is now open for the conference Ceramics and Sculpture: Different Disciplines and Shared Concerns taking place on 5 July 2012 in Cardiff at Amgueddfa Cymru – National Museum Wales. More info contact: adutton@cardiffmet.ac.uk Book from website shown below.

About the Conference:
Relationships between ceramics and sculpture are a focus for research at Cardiff School of Art and Design. This research has demonstrated that the interests of ceramicists and sculptors in Britain have either overlapped or come into particularly sharp focus at certain periods.
The Henry Moore Institute, Leeds, has in the last few years awarded research fellowships to explore such relationships. Both ceramics and sculpture now have to make a case for their survival as discrete disciplines within higher education and increasingly categories are blurred.
Against this background the conference seeks to illuminate shared concerns by examining points of formal, conceptual, theoretical and material convergences between the two disciplines, while also addressing key points of difference.
Speakers:
Paper 1:  Michael Hose (Cardiff Metropolitan University) ‘What difference can a description make?’
Paper 2:  Conor Wilson
‘You can use clay, but you can’t do ceramics’: Some thoughts about why Ceramics isn’t Sculpture, based on the thinking of Eduardo Chillida and Robert Morris’
Paper 3:  Dr Isabel Hufschmidt (Mirko Mayer Gallery, Cologne, Germany) ‘The Edition of Sculpture in England:  A French spirit of commerce, English manufactories and the New Sculpture’
Paper 4:  Michael Tooby (independent researcher and curator) ‘The way in which a major museum’s collecting activity can transgress traditional taxonomies in a creative and rich manner’
Paper 5:  Alun Graves (Curator, Ceramics & Glass Collection, V&A) ‘Hans Coper: Sculpture in Architecture’
Paper 6:  Professor Stephen Dixon (Manchester Metropolitan University) ‘Why Clay?’
Keynote speaker:  Dr Jon Wood (Henry Moore Institute, Leeds) ‘Manual Thinking’
Panel - Q & A and discussion with Bonnie Kemske (editor of Ceramic Review), David Jones (University of Wolverhampton)

Posted on May 2 2012 under News about Makers.