Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Juliet Walters at Studiopottery.co.uk

Juliet Walters

Ceramics by Tiffany Scull at Studiopottery.co.uk

Tiffany Scull

Upcoming events

Things of Beauty Growing: British Studio Pottery at Fitzwilliam Museum 20th March to 17th June, 2018 Includes Adam Buick's work
Ceramic Art London 2018 at Central St. Martins 23rd - 25th March 2018 Unmissable for all interested in contemporary ceramic art. Ninety of the world's most talented ceramists show and sell their work.
Reunion: Potters From The Time Of Bernard Leach at Leach Pottery 24th March to 1st July, 2018 new pots from 9 potters who apprenticed, trained, and worked, during the time of Bernard Leach

Recently added Courses

Regular Pottery Courses by Suleyman Saba - 29th January to 31st December, 2018
Students will learn about preparing clay and different techniques of ceramics from pinch pots and coiled pottery, to slab building and throwing. Students are also guided on aspects of decoration and glazing. 
Lindy Barletta weekday Courses in East Sheen - 1st January to 31st December, 2018
Studio Pottery Making techniques: A terms course covers a project in each - pinching, coiling, slab building and throwing.

Ceramics and Sculpture: Different Disciplines and Shared Concerns. 5 July 2012

Registration is now open for the conference Ceramics and Sculpture: Different Disciplines and Shared Concerns taking place on 5 July 2012 in Cardiff at Amgueddfa Cymru – National Museum Wales. More info contact: adutton@cardiffmet.ac.uk Book from website shown below.

About the Conference:
Relationships between ceramics and sculpture are a focus for research at Cardiff School of Art and Design. This research has demonstrated that the interests of ceramicists and sculptors in Britain have either overlapped or come into particularly sharp focus at certain periods.
The Henry Moore Institute, Leeds, has in the last few years awarded research fellowships to explore such relationships. Both ceramics and sculpture now have to make a case for their survival as discrete disciplines within higher education and increasingly categories are blurred.
Against this background the conference seeks to illuminate shared concerns by examining points of formal, conceptual, theoretical and material convergences between the two disciplines, while also addressing key points of difference.
Paper 1:  Michael Hose (Cardiff Metropolitan University) ‘What difference can a description make?’
Paper 2:  Conor Wilson
‘You can use clay, but you can’t do ceramics’: Some thoughts about why Ceramics isn’t Sculpture, based on the thinking of Eduardo Chillida and Robert Morris’
Paper 3:  Dr Isabel Hufschmidt (Mirko Mayer Gallery, Cologne, Germany) ‘The Edition of Sculpture in England:  A French spirit of commerce, English manufactories and the New Sculpture’
Paper 4:  Michael Tooby (independent researcher and curator) ‘The way in which a major museum’s collecting activity can transgress traditional taxonomies in a creative and rich manner’
Paper 5:  Alun Graves (Curator, Ceramics & Glass Collection, V&A) ‘Hans Coper: Sculpture in Architecture’
Paper 6:  Professor Stephen Dixon (Manchester Metropolitan University) ‘Why Clay?’
Keynote speaker:  Dr Jon Wood (Henry Moore Institute, Leeds) ‘Manual Thinking’
Panel - Q & A and discussion with Bonnie Kemske (editor of Ceramic Review), David Jones (University of Wolverhampton)

Posted on May 2 2012 under News about Makers.