Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Emily-Kriste Wilcox at Studiopottery.co.uk

Emily-Kriste Wilcox

Ceramics by Mary Kershaw at Studiopottery.co.uk

Mary Kershaw

Upcoming events

Between Serenity and Dynamism: Korean Ceramics at Korean Cultural Centre UK 3rd May to 3rd June, 2017 An exhibition that explores the beauty and heritage of Korean ceramics, and the contrast and harmony between the traditional and more contemporary forms of the craft that exists in Korea today.
Patricia Volk at Arundel at Arundel Art Room 20th May to 19th June, 2017 This exciting gallery run by the dynamic and delightful Maya Coppen  has selected my work to go alongside Alex Berdysheff's really exciting painting.
Gouda Ceramic Fair (Goudse Keramiek Dagen) at Goudse Keramiekdagen 25th - 26th May 2017 The Gouda Ceramics Days are an annual two-day event of ceramists from home and abroad. They are held every year on Ascension Day and the following day. Usually attended by some 110 selected clay artists
Ceramics in Charnwood Market Place (7th Year) at Loughbrough Market Place 14th May 2017 - 26th May 2017 Over 60 potters and Ceramic artists from the East Midlands and beyond selling their work in Loughborough Market Place. Too good to miss if you can get there.

Recently added Courses

Children's Easter Pottery Classes With Mohamed Hamid - 10th - 13th April 2017
Children's Easter Pottery Classes: Ages 7-16. With potter Mohamed Hamid and Elizabeth Jardine.
Residential Pottery Courses in France with Sylph Baier - 14th May to 14th October, 2017
It is mainly throwing based and would suit students with some throwing experience but other techniques can also be covered as well as glazing and firing in electric and gas reduction kiln
Jim Malone - 3 Day Throwing Course - 11th - 13th September 2017
Designed for throwers who can throw a bowl and a basic cylinder and would like to get to the next level, revisit already familiar forms and develop them to a higher level.
Hand Building & Smoke Firing Course at the Moulin with Frances Marr - 11th - 17th June 2017
Over the the course of the week we will explore smoke-firing techniques resulting from the interaction of clay and fire. 

Ceramics and Sculpture: Different Disciplines and Shared Concerns. 5 July 2012

Registration is now open for the conference Ceramics and Sculpture: Different Disciplines and Shared Concerns taking place on 5 July 2012 in Cardiff at Amgueddfa Cymru – National Museum Wales. More info contact: adutton@cardiffmet.ac.uk Book from website shown below.

About the Conference:
Relationships between ceramics and sculpture are a focus for research at Cardiff School of Art and Design. This research has demonstrated that the interests of ceramicists and sculptors in Britain have either overlapped or come into particularly sharp focus at certain periods.
The Henry Moore Institute, Leeds, has in the last few years awarded research fellowships to explore such relationships. Both ceramics and sculpture now have to make a case for their survival as discrete disciplines within higher education and increasingly categories are blurred.
Against this background the conference seeks to illuminate shared concerns by examining points of formal, conceptual, theoretical and material convergences between the two disciplines, while also addressing key points of difference.
Speakers:
Paper 1:  Michael Hose (Cardiff Metropolitan University) ‘What difference can a description make?’
Paper 2:  Conor Wilson
‘You can use clay, but you can’t do ceramics’: Some thoughts about why Ceramics isn’t Sculpture, based on the thinking of Eduardo Chillida and Robert Morris’
Paper 3:  Dr Isabel Hufschmidt (Mirko Mayer Gallery, Cologne, Germany) ‘The Edition of Sculpture in England:  A French spirit of commerce, English manufactories and the New Sculpture’
Paper 4:  Michael Tooby (independent researcher and curator) ‘The way in which a major museum’s collecting activity can transgress traditional taxonomies in a creative and rich manner’
Paper 5:  Alun Graves (Curator, Ceramics & Glass Collection, V&A) ‘Hans Coper: Sculpture in Architecture’
Paper 6:  Professor Stephen Dixon (Manchester Metropolitan University) ‘Why Clay?’
Keynote speaker:  Dr Jon Wood (Henry Moore Institute, Leeds) ‘Manual Thinking’
Panel - Q & A and discussion with Bonnie Kemske (editor of Ceramic Review), David Jones (University of Wolverhampton)

Posted on May 2 2012 under News about Makers.