Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Janet Halligan at Studiopottery.co.uk

Janet Halligan

Ceramics by Kochevet Bendavid at Studiopottery.co.uk

Kochevet Bendavid

Upcoming events

Oldenburg - 36th International Ceramics Fair at Oldenburg International Ceramic Fair 4th - 5th August 2018 A fair, plus much more! At the fair 124 selected potters, ceramists, designers and artists from across Europe and Japan offer their top products.
Fractures: Texture and Fragility in Modern Ceramics at Swindon Museum and Art Gallery 25th July to 24th November, 2018
Art in the Pens 2018 - Skipton at Art in the Pen (Skipton) 11th - 12th August 2018 Wide range of work with ceramics by Alvin Irving and others
Potfest in the Pens at Potfest in the Pens - Penrith 3rd - 5th August 2018 The only unselected show in the UK giving an opportunity to see the work of the well established alongside the next generation. Around 170 potters will be taking part in this, the oldest potters' market in the UK

Recently added Courses

Regular Pottery Courses by Suleyman Saba - 29th January to 31st December, 2018
Students will learn about preparing clay and different techniques of ceramics from pinch pots and coiled pottery, to slab building and throwing. Students are also guided on aspects of decoration and glazing. 
Lindy Barletta weekday Courses in East Sheen - 1st January to 31st December, 2018
Studio Pottery Making techniques: A terms course covers a project in each - pinching, coiling, slab building and throwing.

Betty Woodman (1930–2018)

bettygoodmanblog

Artist Betty Woodman, a sculptor known for ceramic works that are playful yet rigorous combinations of, among other things, Etruscan sculpture, Egyptian art, Sèvres porcelain, and Henri Matisse, has died.

Woodman was born in Norwalk, Connecticut in 1930. She described her first encounter with clay in a high school art class, according to an interview with Priscilla Frank in the Huffington Post, as “sort of like magic . . . We were given some clay and using our hands we could just make it into a shape. The first thing I ever made was a pitcher. As far as I was concerned that was what I wanted to do. It fell into my hands.” She studied pottery at Alfred University’s School for American Craftsmen, graduating in 1950. In 1952 Woodman traveled to Italy, where traditional forms of earthenware, such as majolica, made a deep impression upon her. Since then, she had spent a portion of every year living there with her husband, the artist George Woodman, who died last March. (The Woodmans are a famous artist family: Their daughter, the late Francesca Woodman, was a photographer; their son, Charles Woodman, who is still living, is an electronic artist. A documentary about the clan, The Woodmans, was released in 2010.)

Betty Woodman has had numerous solo exhibitions throughout the United States and Europe, including “Florentine Interiors” (2017) at Galerie Hubert Winter in Vienna; “Theatre of the Domestic” (2016) at the ICA in London; “Interior Views” (2014) at Galerie Francesca Pia in Zurich; and “Of Botticelli” (2013) at Galerie Isabella Bortolozzi in Berlin. Her last New York solo exhibition was in 2016 at Salon 94—the gallery represents her—and was titled “Breakfast At The Seashore Lunch In Antella.” “The Art of Betty Woodman,” which opened at the Metropolitan Museum of Art in New York in 2006, was the artist’s first retrospective in the US.

“Unfussy but remarkably erudite, her pottery comfortably foregrounds ceramics’ conventions and place within (or outside of) this erstwhile art-historical canon,” said Suzanne Hudson of Woodman’s show at LA’s David Kordansky Gallery for the April 2015 issue of Artforum. “The rigor of Woodman’s engagement with the medium was here belied by the visceral convolutions of color and runny streaks of paint that turn the surface of her vessels into canvaslike grounds.”

Reprinted with thanks from Artforum – a major online source of arts information. View it now!


Posted on January 4 2018 under News, News for Makers.