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Ceramics by Eddie Curtis at Studiopottery.co.uk

Eddie Curtis

Ceramics by Charlotte Storrs at Studiopottery.co.uk

Charlotte Storrs

Upcoming events

The Beaconsfield Art Fair - Spring 2014 at Beaconsfield School, The 16th - 17th May 2014 The Beaconsfield School will be hosting its twice-yearly Art Exhibition - A showcase for fine art and quality local crafts including ceramics by Les Parrott
Sprung - Sculpture and Ceramic Art at Royal Horticultural Society - Hyde Hall 10th - 26th May 2014 'Sprung' is an exhibition of spring-themed sculpture and ceramics which will be on location at the RHS Garden Hyde Hall, near Chelmsford, Essex
The Restless Gallery presents Behold! at Yew Tree Gallery 4th May to 14th June, 2014 Show includes: Richard Phethean - Slip ware Kate Scott - Incised stoneware Sarah Palmer - Hand-built ceramics
Sasha Wardell ceramics - Open Studios at Mill Studio, Stowford Manor Farm 3rd - 11th May 2014 Sasha Wardell at Cloth Road Open Studios

Recently added Courses

Inventive Ceramic Projects for the Garden - Claire Ireland - 4th June to 9th July, 2014
A comprehensive introduction into the methods and creative potential of sculptural ceramics. (6 weeks)
Tim Andrews - 1st - 30th April 2015
Tim will be teaching in April 2015 - exact dates nearer the time or contact Coombe farm studios for more information.
SVEND BAYER WORKSHOPS - Throwing - 25th - 27th April 2014
LATE CANCELLATION - 1 SPACE HAS BECOME AVAILABLE!
Jill Ford - Ceramic Workshops - Green Man Garden Plaque - 1st May 2014 - 27th April 2014
Under the expert guidance of professional potter Jill Ford. Jill will carefully guide you through all the stages needed to create the Green man Garden Plaque

Eva Zeisel – November 13 1906 – December 30 2011

 

Eva Zeisel: November 13, 1906 – December 30, 2011

 

Eva
photo credit: www.brooklynrail.org 

The ceramics world lost yet another giant as 2011 came to a close. A little over a month after turning 105, Eva Zeisel, designer of some of the 20th century’s most seductive and iconic objects passed away. Born, Eva Amalia Striker, into a prosperous and assimilated Jewish family in Budapest, Hungary in 1906, she entered the Royal Academy of Fine Arts at age 17. Eva’s mother encouraged her to enter an apprenticeship with a traditional artisan out of concern for her ability to make a living as a painter. She soon became the first woman member of traditional Hungarian Guild of Chimney Sweeps, Oven Makers, Roof Tilers, Well Diggers & Potters. One year after establishing a studio on her family’s property her work was displayed at the Philadelphia Sesquicentennial, where she won an honorable mention. She began designing in the Kispester Factory in Budapest, but soon found work in Germany which promised to engage her in all phases of industrial design and production of ceramic wares. This established Zeisel as the first woman to move ceramic arts into mass production. In 1932, inspired by new artistic and social movements taking place in Russia, she embarked on a vacation which led to expanded opportunities in industrial design. Young Eva took a position helping to modernize Russia’s ceramic industry and traveled throughout the country to coordinate efforts to create a central manufactory. She was soon transferred to Leningrad and then appointed Artistic Director for the Porcelain and Glass Industries for all of Russia. In 1936 she was imprisoned in the NKVD prison for 16 months, accused of plotting against Stalin. Among other things, it was suggested she had hidden swastikas in porcelain designs and hidden guns for an assassination attempt. Close friend Arthur Koestler, who mentioned her in the dedication for his novel Darkness at Noon (1940) drew from Zeisel’s experiences of solitary confinement to formulate his harrowing tale of totalitarian rule in Russia. In her work, Zeisel remained committed to the Bauhaus dictum that the highest form of industry is to mass produce works of art. Yet the aura of the hand, the body and the animal spirit embodied in her designs transcended their means of mechanical reproduction. Incorporating the profiles of belly buttons and baby’s bottoms to invite tactile experience and the open mouths of birds to dispense cream, Zeisel expanded the language of form and function in mass produced wares. Through her life and work, Zeisel not only inspired successive generations of ceramic artists, she also presaged tendencies of hybridization in art, design and craft that have a very 21st century feel.


mugshot of Eva Zeisel

Obituary courtesy of NCECA


Posted on January 7 2012 under News.