Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

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Work for Sale

Ceramics by Prue Cooper at Studiopottery.co.uk

Prue Cooper

Ceramics by Brian Holland at Studiopottery.co.uk

Brian Holland

Upcoming events

Emily-Kriste Wilcox in London at Contemporary Ceramics Centre 1st January to 1st April, 2018 New work from Emily-Kriste Wilcox for the show at Great Russell Street in London
Craft 2018 at Olympia London at Olympia 14th - 16th January 2018 A trade show with buyers from independent retailers, multiple retailers, internet, mail order and department stores plus interior designers, agents, wholesalers and press. 
Top Drawer at Olympia 14th - 16th January 2018

Recently added Courses

Experimental Ceramic Workshop - Claire Ireland - 18th September to 20th November, 2017
This course will explore the use of clay in an experimental way 
Adult Summer Pottery Course with Mohamed Hamid - 28th August to 1st September, 2017
Hand building, throwing and decorating techniques! (previous week Fully booked!)
Potters Wheel Courses and Workshops at Eastnor Pottery - 5th August to 2nd December, 2018
Escape to the country and spend a relaxing day or weekend learning how to make pottery on the potter's wheel.
Animal Sculpting With Celia Allen - 8th - 10th September 2017
Learn how to sculpt animals of various forms, with a possible Raku firing day to finish

Eva Zeisel – November 13 1906 – December 30 2011

 

Eva Zeisel: November 13, 1906 – December 30, 2011

 

Eva
photo credit: www.brooklynrail.org 

The ceramics world lost yet another giant as 2011 came to a close. A little over a month after turning 105, Eva Zeisel, designer of some of the 20th century’s most seductive and iconic objects passed away. Born, Eva Amalia Striker, into a prosperous and assimilated Jewish family in Budapest, Hungary in 1906, she entered the Royal Academy of Fine Arts at age 17. Eva’s mother encouraged her to enter an apprenticeship with a traditional artisan out of concern for her ability to make a living as a painter. She soon became the first woman member of traditional Hungarian Guild of Chimney Sweeps, Oven Makers, Roof Tilers, Well Diggers & Potters. One year after establishing a studio on her family’s property her work was displayed at the Philadelphia Sesquicentennial, where she won an honorable mention. She began designing in the Kispester Factory in Budapest, but soon found work in Germany which promised to engage her in all phases of industrial design and production of ceramic wares. This established Zeisel as the first woman to move ceramic arts into mass production. In 1932, inspired by new artistic and social movements taking place in Russia, she embarked on a vacation which led to expanded opportunities in industrial design. Young Eva took a position helping to modernize Russia’s ceramic industry and traveled throughout the country to coordinate efforts to create a central manufactory. She was soon transferred to Leningrad and then appointed Artistic Director for the Porcelain and Glass Industries for all of Russia. In 1936 she was imprisoned in the NKVD prison for 16 months, accused of plotting against Stalin. Among other things, it was suggested she had hidden swastikas in porcelain designs and hidden guns for an assassination attempt. Close friend Arthur Koestler, who mentioned her in the dedication for his novel Darkness at Noon (1940) drew from Zeisel’s experiences of solitary confinement to formulate his harrowing tale of totalitarian rule in Russia. In her work, Zeisel remained committed to the Bauhaus dictum that the highest form of industry is to mass produce works of art. Yet the aura of the hand, the body and the animal spirit embodied in her designs transcended their means of mechanical reproduction. Incorporating the profiles of belly buttons and baby’s bottoms to invite tactile experience and the open mouths of birds to dispense cream, Zeisel expanded the language of form and function in mass produced wares. Through her life and work, Zeisel not only inspired successive generations of ceramic artists, she also presaged tendencies of hybridization in art, design and craft that have a very 21st century feel.


mugshot of Eva Zeisel

Obituary courtesy of NCECA


Posted on January 7 2012 under News.