Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Brian Holland at Studiopottery.co.uk

Brian Holland

Ceramics by Rachel Grimshaw at Studiopottery.co.uk

Rachel Grimshaw

Upcoming events

Jo Taylor ceramic sculpture at Doddington Hall and Gardens 28th July to 22nd September, 2018 Jo Taylor, showing new wall works from the Rondo series (shown below) as part of an exciting ceramics exhibition of 50 contemporary makers, alongside the established bi-annual outdoor sculpture show.
Potfest in the Pens at Potfest in the Pens - Penrith 3rd - 5th August 2018 The only unselected show in the UK giving an opportunity to see the work of the well established alongside the next generation. Around 170 potters will be taking part in this, the oldest potters' market in the UK
La fete des Potiers - Moulins-la-Marche at MOULINS LA MARCHE 28th - 29th July 2018 Around 50 professional potters, including Janet Halligan
Potfest in the Park 2018 at Potfest in the Park 27th - 29th July 2018 Over 100 exhibitors invited from all over Europe and beyond....all with very distinctive individual styles ....all passionate about working with clay. 

Recently added Courses

Regular Pottery Courses by Suleyman Saba - 29th January to 31st December, 2018
Students will learn about preparing clay and different techniques of ceramics from pinch pots and coiled pottery, to slab building and throwing. Students are also guided on aspects of decoration and glazing. 
Lindy Barletta weekday Courses in East Sheen - 1st January to 31st December, 2018
Studio Pottery Making techniques: A terms course covers a project in each - pinching, coiling, slab building and throwing.

Eva Zeisel – November 13 1906 – December 30 2011

 

Eva Zeisel: November 13, 1906 – December 30, 2011

 

Eva
photo credit: www.brooklynrail.org 

The ceramics world lost yet another giant as 2011 came to a close. A little over a month after turning 105, Eva Zeisel, designer of some of the 20th century’s most seductive and iconic objects passed away. Born, Eva Amalia Striker, into a prosperous and assimilated Jewish family in Budapest, Hungary in 1906, she entered the Royal Academy of Fine Arts at age 17. Eva’s mother encouraged her to enter an apprenticeship with a traditional artisan out of concern for her ability to make a living as a painter. She soon became the first woman member of traditional Hungarian Guild of Chimney Sweeps, Oven Makers, Roof Tilers, Well Diggers & Potters. One year after establishing a studio on her family’s property her work was displayed at the Philadelphia Sesquicentennial, where she won an honorable mention. She began designing in the Kispester Factory in Budapest, but soon found work in Germany which promised to engage her in all phases of industrial design and production of ceramic wares. This established Zeisel as the first woman to move ceramic arts into mass production. In 1932, inspired by new artistic and social movements taking place in Russia, she embarked on a vacation which led to expanded opportunities in industrial design. Young Eva took a position helping to modernize Russia’s ceramic industry and traveled throughout the country to coordinate efforts to create a central manufactory. She was soon transferred to Leningrad and then appointed Artistic Director for the Porcelain and Glass Industries for all of Russia. In 1936 she was imprisoned in the NKVD prison for 16 months, accused of plotting against Stalin. Among other things, it was suggested she had hidden swastikas in porcelain designs and hidden guns for an assassination attempt. Close friend Arthur Koestler, who mentioned her in the dedication for his novel Darkness at Noon (1940) drew from Zeisel’s experiences of solitary confinement to formulate his harrowing tale of totalitarian rule in Russia. In her work, Zeisel remained committed to the Bauhaus dictum that the highest form of industry is to mass produce works of art. Yet the aura of the hand, the body and the animal spirit embodied in her designs transcended their means of mechanical reproduction. Incorporating the profiles of belly buttons and baby’s bottoms to invite tactile experience and the open mouths of birds to dispense cream, Zeisel expanded the language of form and function in mass produced wares. Through her life and work, Zeisel not only inspired successive generations of ceramic artists, she also presaged tendencies of hybridization in art, design and craft that have a very 21st century feel.


mugshot of Eva Zeisel

Obituary courtesy of NCECA


Posted on January 7 2012 under News.