Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Alvin F. Irving at Studiopottery.co.uk

Alvin F. Irving

Ceramics by Margaret Curtis at Studiopottery.co.uk

Margaret Curtis

Upcoming events

Argilla Italia 2014 at Argilla Italia 5th - 7th September 2014 International Fair in Faenza, Italy expecting 180 entrants. Tony Laverick and Jeremy Nichols will be showing
Ceramic Celebration at Craft in the Bay 4th September to 2nd November, 2014 50 Years of South Wales potters - twenty members work showing some superb work.
Shooting from the Hip - Jitka Palmer at Centrespace Gallery 12th - 24th September 2014 New work from Jitka Palmer
Melbourne Festival Art Trail at Melbourne Festival 13th - 14th September 2014 A weekend Art Trail around the village of Melbourne, South Derbyshire

Recently added Courses

Exploring porcelain - throwing and hand-building:Jack Doherty - 20th - 23rd November 2014
Develop dynamic porcelain forms or containers by learning how to understand and exploit the intrinsic plastic quality of porcelain. 
Working with Clay - Jude Jelfs - 25th September 2014 - 23rd November 2014
Jude Jelfs is a potter and bronze worker who makes figurative ceramics in earthenware, stoneware and porcelain. 
Understanding colour in glazes. Linda Bloomfield - 9th - 15th February 2015
Gain an understanding of making and using glazes focusing on how using colouring oxides affects different fluxes in a glaze.
Expressing Essence in Ceramic Form - Antonia Salmon - 9th - 13th November 2014
Antonia Salmon - exploring the essence of clay forms that you create. Ref: 4D 4977. suitable for all levels

Eva Zeisel – November 13 1906 – December 30 2011

 

Eva Zeisel: November 13, 1906 – December 30, 2011

 

Eva
photo credit: www.brooklynrail.org 

The ceramics world lost yet another giant as 2011 came to a close. A little over a month after turning 105, Eva Zeisel, designer of some of the 20th century’s most seductive and iconic objects passed away. Born, Eva Amalia Striker, into a prosperous and assimilated Jewish family in Budapest, Hungary in 1906, she entered the Royal Academy of Fine Arts at age 17. Eva’s mother encouraged her to enter an apprenticeship with a traditional artisan out of concern for her ability to make a living as a painter. She soon became the first woman member of traditional Hungarian Guild of Chimney Sweeps, Oven Makers, Roof Tilers, Well Diggers & Potters. One year after establishing a studio on her family’s property her work was displayed at the Philadelphia Sesquicentennial, where she won an honorable mention. She began designing in the Kispester Factory in Budapest, but soon found work in Germany which promised to engage her in all phases of industrial design and production of ceramic wares. This established Zeisel as the first woman to move ceramic arts into mass production. In 1932, inspired by new artistic and social movements taking place in Russia, she embarked on a vacation which led to expanded opportunities in industrial design. Young Eva took a position helping to modernize Russia’s ceramic industry and traveled throughout the country to coordinate efforts to create a central manufactory. She was soon transferred to Leningrad and then appointed Artistic Director for the Porcelain and Glass Industries for all of Russia. In 1936 she was imprisoned in the NKVD prison for 16 months, accused of plotting against Stalin. Among other things, it was suggested she had hidden swastikas in porcelain designs and hidden guns for an assassination attempt. Close friend Arthur Koestler, who mentioned her in the dedication for his novel Darkness at Noon (1940) drew from Zeisel’s experiences of solitary confinement to formulate his harrowing tale of totalitarian rule in Russia. In her work, Zeisel remained committed to the Bauhaus dictum that the highest form of industry is to mass produce works of art. Yet the aura of the hand, the body and the animal spirit embodied in her designs transcended their means of mechanical reproduction. Incorporating the profiles of belly buttons and baby’s bottoms to invite tactile experience and the open mouths of birds to dispense cream, Zeisel expanded the language of form and function in mass produced wares. Through her life and work, Zeisel not only inspired successive generations of ceramic artists, she also presaged tendencies of hybridization in art, design and craft that have a very 21st century feel.


mugshot of Eva Zeisel

Obituary courtesy of NCECA


Posted on January 7 2012 under News.