Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Liz Mathews at Studiopottery.co.uk

Liz Mathews

Ceramics by Kochevet Bendavid at Studiopottery.co.uk

Kochevet Bendavid

Upcoming events

Elements with Clare Crouchman ceramics at Artichoke Gallery 1st October to 23rd December, 2017 New work from Clare Crouchman
Auction - Cheshire at Adam Partridge Auctioneers 13th October 2017 to 23rd December, 2017 Inviting entries until 18 September
In the Forest - Exhibition with Paul Smith at Cambridge Contemporary Art 7th - 29th October 2017  Flora McLachlan (etchings )and Paul Smith (ceramic sculpture)
OCTOBER FOCUS 2017 at Bevere Gallery 6th October to 1st November, 2017 Featured potters - Sara Moorhouse, Masazumi Yamazaki, Barry Stedman

Recently added Courses

Hand Building & Smoke Firing Course at the Moulin with Frances Marr - 11th - 17th June 2017
Over the the course of the week we will explore smoke-firing techniques resulting from the interaction of clay and fire. 
Residential Pottery Courses in France with Sylph Baier - 14th May to 14th October, 2017
It is mainly throwing based and would suit students with some throwing experience but other techniques can also be covered as well as glazing and firing in electric and gas reduction kiln
Animal Sculpting With Celia Allen - 8th - 10th September 2017
Learn how to sculpt animals of various forms, with a possible Raku firing day to finish
Classes in Portugal - Catherine Portal - 18th - 22nd September 2017
A 5 day intensive workshop: 5 days of  'potting' with no interruptions where each one can explore their creativity through hand-building, sculpting or wheelwork and then relax round the garden table over a home-cooked lunch enjoying conversations with fellow potters.

Issue 13 Interpreting Ceramics

Issue 13 of Interpreting Ceramics is now published online and it contains two articles that focus on aspects of ceramics in Wales.

The first of these is entitled ‘Llanelly Pottery – A Welsh Metonym’. The author, Kathy Talbot, discusses the ways that the pottery manufactured in this South Wales town during the nineteenth and early twentieth century came to stand not just for the town itself, but also for a particular kind of Welsh identity which drew on a strong sense of nostalgia for its past.

The second article by Jennifer Lewis on ‘Gaudy Welsh China’, draws on textual and visual evidence to explore aspects of the history, technology, design, decoration and interpretation of a ware that is also known as ‘Swansea Cottage’. Lewis’ account makes a major contribution to an understanding of a distinctive type of ceramics that is still better known and more widely collected in the USA than in the UK.

The third article in Issue 13 is by Laura Gray and is an exploration of the ways that contemporary ceramicists have made and displayed work in response to what the author calls ‘the distinctive hybrid domestic-museum environment offered by former homes such as Kettle’s Yard in Cambridge, High Cross House in Devon and Blackwell Arts and Craft House in the Lake District’. Martina Margetts and Moira Vincentelli have provided book reviews for this issue.

www.interpretingceramics.com


Posted on January 10 2012 under News.