Welcome - This is a Social Enterprise Business It aims to help potters and ceramic artists to become better known, to sell their work, to fill their courses and to provide a window into this fantastic world of 3D art!

New Members

Work for Sale

Ceramics by Philip N Wilks at Studiopottery.co.uk

Philip N Wilks

Ceramics by Juliet Walters at Studiopottery.co.uk

Juliet Walters

Upcoming events

Sites Unseen at Studio Eleven 24th January to 11th March, 2018 Sites Unseen is an exhibition of paintings by Chrissy Collinson and ceramic pieces by Martin Harman.
Matthew Warner Solo Show at Contemporary Applied Arts 8th February to 10th March, 2018 A solo exhibition of new work by London-based potter and CAA maker member Matthew Warner.

Recently added Courses

Slip Decorating With Richard Wilson - 23rd - 25th June 2017
Students will be throwing or press moulding forms to decorate with slips.
Celia Allen - Animal Sculpture at West Dean - 22nd - 25th September 2017
Animal Sculpture
Adult Summer Pottery Course with Mohamed Hamid - 28th August to 1st September, 2017
Hand building, throwing and decorating techniques! (previous week Fully booked!)
Potters Wheel Courses and Workshops at Eastnor Pottery - 5th August to 2nd December, 2018
Escape to the country and spend a relaxing day or weekend learning how to make pottery on the potter's wheel.

Rachel Wood Ceramics in AUSTRALIA 2013


Rachel has told me about her exciting and rewarding Residency at the Sturt Craft Centre in Australia last year.She says…. ”My residency took place at Sturt Craft Centre, Mittagong, which is a small town based in the leafy bush of the Southern Highlands, one hour south of Sydney. Since 1941 the centre has been dedicated to the development and support of high quality contemporary craft, for its audience, artists and students.

The Bush: The omnipresence of the Australian bush was intoxicating – gum trees, ghost gums, scribbly gum, stringybark, iron bark – their texture, rawness and unfettered natural state. I was irresistibly drawn towards their compelling, powerful, leaning yet fractured forms.

The result is a collection of pots I’ve called ‘Bark Vessels’. All are thrown in sections, manipulated and stressed, using heavily grogged stoneware clay. Slips and glazes are applied. Electric fired. Here are a few from my final pieces, all of which remain in Australia - either sold at Sturt or to a private collector.”


Posted on February 16 2014 under News, News about Makers.